Set of 4 ‘Locus Solus’ chairs for Poltronova, Italy 1960s
55.5 x 54 x 66.5cm high
enamelled black tubular metal frames with perforated seats. This set comes with their original loose waxed cotton cushions with dotted black on grey pattern. The design of these chairs was intended to be a playful take on the classic bentwood design.
This chair is as close to a sculpture as it is a radical design piece – It is a unique piece, seamlessly blending modern minimalism with artisanal woodwork to create a bold, architectural form. An eye-catcher for any experimental interior.
An unusual large sculpture made out of waxed fiber and composite material. This stylish work is made by a unknown artist in 1993. Signed JE and dated 93 on the top sphere. Its natural colouring and materials combined with surreal forms make this a real statement piece….for anyone interested in combining it into an experimental interior.
metal & buffalo leather side chair. Stamped. 1970s/80s.
An elegant sculptural side chair made by the famous French duo known for working across a range of specialisms including architecture, sculpture and furniture design. Like many imaginative artist/designers who came to the fore in the 1980s, their work combines elements of Postmodernism to create a narrative object : Gothic, baroque and brutalism combined in a theatrical narrative. This 1970s-80s art-chair would look fabulous in any stylish interior. It has the maker’s brandished marks to the back of the leather seat.
Oppenheimer clock from the ‘Objects of the Electronic Age’ series.
George Sowden’s “Oppenheimer” clock from Objects for the Electronic Age was created in 1983. Objects for the Electronic Age was a series of objects designed by the Memphis Group, of which George J. Sowden was one of the founders, along with Ettore Sottsass, Michele De Lucchi and many others.
A rare clock in superb condition – with original label to the reverse.
’t Spectrum Bergeyk 1988. Model TE20. Aluminium and lacquered steel.
Rare modernist table designed by Martin Visser and Joke van der Heyden. This particular table appears to come from a small test series (or one of a series of prototypes whereby Visser was still experimenting with the design – there are some quite primitive connections and test holes where you can see Visser grappling with the design).
These first tables have a slightly different build than the later production tables; they do not have the rubber connections between the top and leg structures that the later tables had – Instead the illusion of the top floating above the base is created by incorporating a slight gap between the top and base sections. The same illusion is created at the base of the legs where a single rubber beyond view creates the illusion of the whole table floating slightly above the floor.
The booklet entitled ‘Martin Visser, collected work‘ contains a full description of the creation of the TE20.