Dom Hans van der Laan

Dom Hans van der Laan (Netherlands 1904-1991)

Painted pine and plywood. 1980s.

Under the supervision of Benedictine monk/ architect Dom Hans vd Laan, a series of furniture was made by the Dutch company Gorisse in the late 1970s- early 1980s for the purposes of exhibition (catalogue images 1&5).
This table and benches (and three stools not shown) were either the pieces shown in the exhibition/catalogue, or they were commissioned from Gorisse at the time.
The pieces differ from the normal plank constructions in that they have completely flat, panelled exteriors which gives them a much simpler, pared down aesthetic.
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Ref: Exhibition catalogue__Dom Hans van der Laan. Modellen en meubels. Abdij St. Benedictusberg. 1982

PoA

http://www.merzbaufurniture.com

Pierre Jeanneret ‘Scissor’ chair. 1950s.

Pierre Jeanneret (Switzerland 1896 -1967)

Rare early edition Model 92 Scissor Lounge Chair by Pierre Jeanneret for Knoll Inc. / Knoll International, 1950s. With new mid-tone grey cushions.

http://www.merzbaufurniture.com

PoA.

Bas van Pelt desk & chairs

Bas van Pelt (Netherlands, 1931-95)

EMS, My Home. 1930s

Rare early Bas Van Pelt design double-sided desk with two chairs

Bas van Pelt began his shop ‘My Home’ in The Hague, Netherlands in 1931 and within a short period the company opened showrooms in other cities such as Maastricht and Amsterdam. The domestic interior design firm focused on producing high-quality modern interior furniture. Eventually right up until into the 1990s Bas van Pelt furniture and fabrics were also sold throughout The Netherlands and beyond by well-known modernist suppliers and manufacturers such as Thonet, D3, LOV and Gispen.

This early Bas van Pelt design desk and two chairs were manufactured in solid oak wood. Each piece has the Maker/designer’s name brandished in the wood.

POA.

http://www.merzbaufurniture.com

Anton Cepka Brooch 1970s

Anton Cepka (Czech.1936-now)

BROOCH WITH SMOKY QUARTZ GEMSTONE. 1970-1974. Brooch made of silver plate with finely engraved net decoration, set with cabochon-shaped smoky quartz gemstone. Artist’s original by most famous Slovak jeweler Anton Cepka. Ag 900/1000. Total weight 140 g, length 11,6 cm, height 4,7 cm.

Compare with: H. W. Drutt English, P. Dormer, Jewelry of our time. Art, ornament and obsession, London 1995, p. 96. – Á. Schrammová: Anton Cepka – šperky a objekty, in: 53. Bulletin of Moravia Gallery in Brno, Brno 1997, p. 208-210.

POA.

http://www.merzbaufurniture.com

P1240589

Stockmann Orno AB. (Sweden)

Early 1960s production- solid pine wood table and four chairs.

Rare large sized dining table (99 x 87 x 72.5cm) and four stools.

The design mostly attributed nowadays to Lisa Johansson-Pape although research has uncovered evidence that the design was attributed by Stockmann’s to Rauni Peippo and that the link to Lisa Johansson-Pape may have been a later attribution.

POA.

http://www.merzbaufurniture.com

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Arne Vodder (Denmark 1926-2009)

Rosewood storage unit with built in bar for Sibast Møbelfabrik , Denmark 1960s.

Fully labelled with Danish/factory metal plaque.

This portable bar has a sliding top that reveals a tiered internal shelving system for bottles and glasses. To the front it has four drawers and an open storage area.

This classic Danish design is popular due to its multi-functional uses.

It measures 75cm x 75cm x 61cm high.

POA

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8 (2)

8-1

Aldo van Eyck (Netherlands, 1918-1999)

1/2 Wall mounted modernist benches.

Rexine over wooden structure with painted steel supports.

This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s for a doctors waiting room..

Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.

POA.

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P1290512 (1) copy

P1290488

Vanity / dressing table-desk_Design attributed to either W.Penaat or H.Wouda.

Produced by Pander & Zonen 1920s

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