Gerrit Rietveld Crate Chairs

Pair of 1970s Crate chairs manufacture by Gerard A. van de Groenekan. Both with burnished marks below. The chairs were produced by commission from the original owner.

They are in superb condition; both having a thin milky white wax/varnish surface.

PoA.

http://www.merzbaufurniture.com

Finely engineered x-frame stools.

Pair of steel modernist/ minimal stools. 1960s.

The beauty of these stools is both in their simplicity and their detail; the quality of engineering. (more photos available on request). The retain their original cream coloured cushions that clip onto a series of small holes to the steel seats.

PoA.

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Metz & Co. low table. 1960s

Low coffee table in wenge wood. The table can easily be dismantled into four parts. Retailed by Metz & Co. in the Netherlands during the 1960s.

PoA.

http://www.merzbaufurniture.com

Set of six Arts & Crafts oak dining chairs. 1920s-30s.

Narrow British oak dining chairs. 1920s-30s.

These Arts & Crafts chairs are in the Cotswold style and combine elements of British Arts & Crafts with elements of the European modernist movement. The Cotswold School was a development of the Arts and Craft Movement started largely by Ernest Gimson and the brothers Sidney and Ernest Barnsley. The furniture is instantly recognisable with its simple lines, attention to the finest of details, and use of beautiful materials.

Hand made with small variations. They have been varnished in the last decade.

PoA.

http://www.merzbaufurniture.com

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Jan de Jong (Nl, 1917-2001)  / Dom Hans van der Laan (Nl, 1904-1991)

high table (communion table) – Green stained pine wood with nails.

During the reconstruction period after WWII the Dutch architect Jan de Jong and the Dutch Benedictine monk Dom Hans van der Laan collaborated on several architectural projects including the interior furniture. They created an outstanding body of work defining the the style of the Bossche School. Jan de Jong was able to translate many of Dom v.d.Laan’s idealised concepts and ideas into pioneering buildings and spaces. They worked in such close collaboration however that it is difficult to discern the individual level of input into the furniture they designed. The artist Wim van Hoof worked with the two architects proposing different colour schemes for their projects. The original olive green surface visible on these tables derived from one of those schemes.

Dom Hans van der Laan (1904-1991) was a Dutch Benedictine monk and architect. He was a leading figure in the Dutch ‘Bossche School’. His theories on numerical ratios in architecture, in particular regarding the plastic number, were very influential.

Jan de Jong (1917-2001) was a talented craftsman-architect and student of v.d. Laan and it is claimed that in many way he surpassed his mentor.

This table is part of a collection of furniture that we have acquired. They were made for Sint Willibrordus church in Almelo in the 1960s. The church was one of the best examples from that era. Unfortunately it was knocked down in 2005 as part of an on-going series of closures.

http://www.vanderlaanstichting.nl/en/domhansvanderlaan/biography

What I do, I do not want, and what I want, I can not do” [Dom Hans v.d.Laan]

POA.

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Dom Hans v.d. Laan (Dutch Benedictine Monk and Architect) & Jan de Jong (mid-late c20th)

This chair was part of a collection of furniture that we have acquired that was made for Sint Willibrordus church in Almelo, Netherlands in the 1960s (with full provenance). The church was one of the best examples of modernist churches of the era. Unfortunately it was knocked down in 2005.

POA.

http://www.merzbaufurniture.com

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Hein Stolle (Netherlands, 1924-2006)

Original painted plywood wall cabinet. 1950s

In the reconstruction period after the second world war, the Dutch architect and furniture designer Hein Stolle experimented with new materials and techniques for the cost effective mass-production of furniture. As a furniture designer, Stolle was a member of Groep & (which comprised Wim den Boon, Hein Stolle and Pierre Kleykamp, 1946-1950). In the early 1950s Stolle designed furniture for the distinguished department stores de Bijenkorf and Metz & Co, often in cooperation with Martin Visser. And in the 1950s and ‘60s he also designed various pieces of furniture for furniture factory ’t Spectrum.

Unique modernist wall cabinet was made for a 1953 exhibition Ons Huis, ons t’huis, (Our House, us at Home) held at De Bijenkorf warehouse in Amsterdam. The cabinet was exhibited at Wonderwood gallery’s exhibition of Stolle’s work in 2004 shortly before his death.

POA.

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Literature: Hein Stolle Architect Verteller Meubelontwerper  Publisher: Wonderwood, 2004 (book as illustrated above)