A console table commissioned for the adaptation of a private residence in Rotterdam during the early 1960s. It has a thick gauge steel base with a 4cm solid teak sectioned top. Den Boon was part of ‘group &’ alongside Hein Stolle and Pierre Kleykamp, a group of Dutch interior /furniture designers influenced by the reductivist designs of Gerrit Rietveld. Some provenance available including original drawing designs.
Under the supervision of Benedictine monk/ architect Dom Hans vd Laan, a series of furniture was made by the Dutch company Gorisse in the late 1970s- early 1980s for the purposes of exhibition (catalogue images 1&5). This table and benches (and three stools not shown) were either the pieces shown in the exhibition/catalogue, or they were commissioned from Gorisse at the time. The pieces differ from the normal plank constructions in that they have completely flat, panelled exteriors which gives them a much simpler, pared down aesthetic. . Ref: Exhibition catalogue__Dom Hans van der Laan. Modellen en meubels. Abdij St. Benedictusberg. 1982
EU04 Japanese series sideboard. Made to be freestanding by having a continuous teak structure. The manufacture was therefore more expensive which limited their demand amongst Dutch customers in the 1950s. For that reason very few were produced and sold.
A large Bossche School alter table. Designed by the Dutch Benedictine monk/architect Dom Hans vd Laan. The metal and stone decorative elements across the side were believed to have been designed by Wim van Hooff (1918-2002) who was a painter and colour consultant who developed his own colour theories in addition to making an important contribution to the architecture of the Bossche School.
This rare example of Van der Laan’s designs was part of a collection of furniture came from a post-war church in Amstelveen in The Netherlands.
Very rare Artiforte WL3 wall lamp (the wall lamp version of Fillikes more well-known ‘Magneto lamp’). Like the Magneto lamp, very few were manufactured during a short period of production in the mid-1950s. Excellent condition for its age – all original.
This Scissor sofa was designed by architect Jan van Grunsven in 1959 and was produced by UMS/Pastoe in Utrecht. It has laminated layers of plywood and the original grey-brown wool upholstery and Dunlop foam. Van Grunsven worked as an architect in Gerrit Rietveld’s studio during the 1950s -1960s.
Rexine over wooden structure with painted steel supports.
This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s for a doctors waiting room..
Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.