Early desk & stool. This desk and stool were made for a private residence in the Netherlands in the 1971. They were commissioned as part of a complete interior refurbishment by Bossche School architects Louis de Kok/Fons Vermeulen. The olive colour wash applied to the furniture was conceived by the artist Wim van Hooff whose colour schemes were utilised by many Bossche School designs during the mid century period. The desk is particularly rare being that it is one of a limited number of vd Laan’s designs that were applied to domestic rather than ecclesiastical environments. _Full provenance available
The architect Paul Wintermans has been designing furniture primarily for architectural projects since the 1980s. This furniture was produced as unique pieces or as very limited productions. Wintermans furniture designs can be found in the collection of the Stedelijk Museum in Amsterdam.
This table is an ingenious engineered design, constructed from three separate pieces: A sheet of glass sandblasted except for two clear stripes that act both as a design feature and help position the two steel rod feet with adjustable fixings. The two feet simply lean into the structure which when combined with the weight of the glass enables the structure to clamp into place.
Wim Den Boon (1912-1968) founded ‘Groep & together with Hein Stolle and Pierre Kleykam’, in 1945. The group’s ambition was to continue the purist and functionalist prewar ideals and aesthetic into the postwar period or ‘reconstruction period’ in The Netherlands. Many of the group’s designs can be seen in the magazine ‘Goed Wonen’ of which Den Boon was the editorial secretary from 1948-1950 and for which he wrote several articles. Den Boon’s dogmatic character and the austere tone of his articles resulted in some controversy, which resulted in Wim Den Boon’s resignation from the magazine in 1950.
This armchair (dated 1958) is registered and documented in the New Dutch Institute for Architecture, Design and Digital Technology (NI). Like much of Den Boon’s designs, the chair was designed as part of a complete interior. The chair comes with full provenance.
A console table commissioned for the adaptation of a private residence in Rotterdam during the early 1960s. It has a thick gauge steel base with a 4cm solid teak sectioned top. Den Boon was part of ‘group &’ alongside Hein Stolle and Pierre Kleykamp, a group of Dutch interior /furniture designers influenced by the reductivist designs of Gerrit Rietveld. Some provenance available including original drawing designs.
Under the supervision of Benedictine monk/ architect Dom Hans vd Laan, a series of furniture was made by the Dutch company Gorisse in the late 1970s- early 1980s for the purposes of exhibition (catalogue images 1&5). This table and benches (and three stools not shown) were either the pieces shown in the exhibition/catalogue, or they were commissioned from Gorisse at the time. The pieces differ from the normal plank constructions in that they have completely flat, panelled exteriors which gives them a much simpler, pared down aesthetic. . Ref: Exhibition catalogue__Dom Hans van der Laan. Modellen en meubels. Abdij St. Benedictusberg. 1982
A large Bossche School alter table. Designed by the Dutch Benedictine monk/architect Dom Hans vd Laan. The metal and stone decorative elements across the side were believed to have been designed by Wim van Hooff (1918-2002) who was a painter and colour consultant who developed his own colour theories in addition to making an important contribution to the architecture of the Bossche School.
This rare example of Van der Laan’s designs was part of a collection of furniture came from a post-war church in Amstelveen in The Netherlands.
Very rare Artiforte WL3 wall lamp (the wall lamp version of Fillikes more well-known ‘Magneto lamp’). Like the Magneto lamp, very few were manufactured during a short period of production in the mid-1950s. Excellent condition for its age – all original.