_A 1960s-70s low table. The table could be said to have a nautical theme running through it with its shaped ship like form and refracted light between the glass and table. It has visual similarities to Isokon furniture and to that of the Irish designer Max Clendinning from the 1960s.
The architect Paul Wintermans has been designing furniture primarily for architectural projects since the 1980s. This furniture was produced as unique pieces or as very limited productions. Wintermans furniture designs can be found in the collection of the Stedelijk Museum in Amsterdam.
This table is an ingenious engineered design, constructed from three separate pieces: A sheet of glass sandblasted except for two clear stripes that act both as a design feature and help position the two steel rod feet with adjustable fixings. The two feet simply lean into the structure which when combined with the weight of the glass enables the structure to clamp into place.
This table was designed as part of a range of simple mahogany wood and steel tables. They were retailed by Metz & Co., in Amsterdam (image 3). The table has a light grey painted finish which we presume is original. The brochure in image 2 shows the tables with a natural wood finish – Although the Metz & Co., image (image 3) shows one of the tables with a painted finish.
In the book ‘Metz & Co.: The Creative Years’ by Petra Timmer, the author elaborates on the relationship between Metz & Co and the American artist Paul McCobb:
“Henk de Leeuw had met the interior designer Paul McCobb in America and had discovered the same refined lines and distinction in his furniture as Penaat’s work. De Leeuw agreed with him that Metz would take his designs into production exclusively for the Netherlands, an appointment that was also made with Ponti, Pagani, Albini, Robin Day and the Danish Peter Hvidt, among others. In 1958 a separate exhibition was dedicated to McCobb’s furniture…”