Cement with inserted stone and metal elements on two part steel base. This is a particularly early example which could be considered a bit more rudimentary and less slick than Kingma’s later work from the 80s and 90s. It is signed with a metal plaque within the design.
Kingma was a sculptor in the mid-c20th who turned to furniture making as a way of supporting his artistic work and found that he could support himself better with such work than with his fine art.
A console table commissioned for the adaptation of a private residence in Rotterdam during the early 1960s. It has a thick gauge steel base with a 4cm solid teak sectioned top. Den Boon was part of ‘group &’ alongside Hein Stolle and Pierre Kleykamp, a group of Dutch interior /furniture designers influenced by the reductivist designs of Gerrit Rietveld. Some provenance available including original drawing designs.
A large Bossche School alter table. Designed by the Dutch Benedictine monk/architect Dom Hans vd Laan. The metal and stone decorative elements across the side were believed to have been designed by Wim van Hooff (1918-2002) who was a painter and colour consultant who developed his own colour theories in addition to making an important contribution to the architecture of the Bossche School.
This rare example of Van der Laan’s designs was part of a collection of furniture came from a post-war church in Amstelveen in The Netherlands.
This table was designed as part of a range of simple mahogany wood and steel tables. They were retailed by Metz & Co., in Amsterdam (image 3). The table has a light grey painted finish which we presume is original. The brochure in image 2 shows the tables with a natural wood finish – Although the Metz & Co., image (image 3) shows one of the tables with a painted finish.
In the book ‘Metz & Co.: The Creative Years’ by Petra Timmer, the author elaborates on the relationship between Metz & Co and the American artist Paul McCobb:
“Henk de Leeuw had met the interior designer Paul McCobb in America and had discovered the same refined lines and distinction in his furniture as Penaat’s work. De Leeuw agreed with him that Metz would take his designs into production exclusively for the Netherlands, an appointment that was also made with Ponti, Pagani, Albini, Robin Day and the Danish Peter Hvidt, among others. In 1958 a separate exhibition was dedicated to McCobb’s furniture…”
Early 1960s production- solid pine wood table and four chairs.
Rare large sized dining table (99 x 87 x 72.5cm) and four stools.
The design mostly attributed nowadays to Lisa Johansson-Pape although research has uncovered evidence that the design was attributed by Stockmann’s to Rauni Peippo and that the link to Lisa Johansson-Pape may have been a later attribution.