The architect Paul Wintermans has been designing furniture primarily for architectural projects since the 1980s. This furniture was produced as unique pieces or as very limited productions. Wintermans furniture designs can be found in the collection of the Stedelijk Museum in Amsterdam.
This table is an ingenious engineered design, constructed from three separate pieces: A sheet of glass sandblasted except for two clear stripes that act both as a design feature and help position the two steel rod feet with adjustable fixings. The two feet simply lean into the structure which when combined with the weight of the glass enables the structure to clamp into place.
Wim Den Boon (1912-1968) founded ‘Groep & together with Hein Stolle and Pierre Kleykam’, in 1945. The group’s ambition was to continue the purist and functionalist prewar ideals and aesthetic into the postwar period or ‘reconstruction period’ in The Netherlands. Many of the group’s designs can be seen in the magazine ‘Goed Wonen’ of which Den Boon was the editorial secretary from 1948-1950 and for which he wrote several articles. Den Boon’s dogmatic character and the austere tone of his articles resulted in some controversy, which resulted in Wim Den Boon’s resignation from the magazine in 1950.
This armchair (dated 1958) is registered and documented in the New Dutch Institute for Architecture, Design and Digital Technology (NI). Like much of Den Boon’s designs, the chair was designed as part of a complete interior. The chair comes with full provenance.
A console table commissioned for the adaptation of a private residence in Rotterdam during the early 1960s. It has a thick gauge steel base with a 4cm solid teak sectioned top. Den Boon was part of ‘group &’ alongside Hein Stolle and Pierre Kleykamp, a group of Dutch interior /furniture designers influenced by the reductivist designs of Gerrit Rietveld. Some provenance available including original drawing designs.
Nickel plated steel and plywood chair for EMS Overschie 1930s.
A rare classic modernist chair by this Dutch designer. The seat and back have been refinished to a surface as close as possible to the original. The frame has a warm patina resulting from years of use.
The beauty of these stools is both in their simplicity and their detail; the quality of engineering. (more photos available on request). The retain their original cream coloured cushions that clip onto a series of small holes to the steel seats.
19th Century bronze, brass and wood fire set including two stands and three tools.
There is a mid-c19th lozenge shaped registration mark to each stand.
In the midst of the c19th industrial boom, the enthusiasm for the Gothic period, seen as an exemplary society in which the arts blossomed in a mystical and fraternal spirit, was set against what were considered the degrading effects, of mechanisation. In England, Gothic revival style was applied to large public buildings and was widely used by the great ‘manufactories’ of art and industry in the manufacture of products up until the 1880’s. Superb quality, this set has similarities to a range of c19th British architect /designers from Pugin (Talbert and Burges) to Dr. Christopher Dresser.
Very rare Artiforte WL3 wall lamp (the wall lamp version of Fillikes more well-known ‘Magneto lamp’). Like the Magneto lamp, very few were manufactured during a short period of production in the mid-1950s. Excellent condition for its age – all original.