Willem Penaat bookshelf.

Willem Penaat for Metz & Co., (Attrib.) 1920s-30s

Early modernist free standing bookshelf unit. Painted wood.

1400.00 euro

http://www.merzbaufurniture.com

Console table. 1960s

Wim den Boon. (nl.1912-68)

A console table commissioned for the adaptation of a private residence in Rotterdam during the early 1960s. It has a thick gauge steel base with a 4cm solid teak sectioned top.
Den Boon was part of ‘group &’ alongside Hein Stolle and Pierre Kleykamp, a group of Dutch interior /furniture designers influenced by the reductivist designs of Gerrit Rietveld. Some provenance available including original drawing designs.

PoA.

http://www.merzbaufurniture.com

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Theo de Wit cantilever chair

Theo de Wit (Nl. early c20th)

Nickel plated steel and plywood chair for EMS Overschie 1930s.

A rare classic modernist chair by this Dutch designer. The seat and back have been refinished to a surface as close as possible to the original. The frame has a warm patina resulting from years of use.

1320.00 euro

http://www.merzbaufurniture.com

Slothouber & Graatsma cubes.

Jan Slothouber & William Graatsma (NL. Mid-c20th)
Five modular cubes from the 1970s. Laminated plywood.
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The Dutch duo Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
__Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970) and in 1965 the Stedelijk Museum in Amsterdam honoured them with the exhibition ‘Vier kanten: maat, vorm, kleur, letter’ (Four sides: size, form, colour, letter). Donald Judd for one was a great admirer of their work.

4250.00 euro

http://www.merzbaufurniture.com

P1290324 (1)

IMG_1654

Willem Penaat (Netherlands 1875-1957)

Upholstered lounge chair. Circa 1935

Produced under the control of Metz & Co. Amsterdam.

The second image shows one of these chairs in the collection of the Stedelijk Museum, Amsterdam.

2250.00 euro

http://www.merzbaufurniture.com