A large double sided desk. One side of the desk has a sliding door below a low standing shelf and the other side of the desk has five pull out drawers.
This desk has been attributed to the Belgian designer Oswald Vermaercke in that it has clear similarities to Vermaercke’s ‘Oslo’ desk for V-Form from the same period. It is possibly a variation on the design or is an earlier prototype?
Modernist cantilever chair by Dutch designer Theo de Wit for EMS Overschie. The design would have only been manufactured for a short period in the mid 1930s. It is n all original condition with just one small veneer repair to the front edge of the plywood seat.
Ref: 1/ Metal Tubular Chairs P.43 / 2/Bierens de Haan ‘Schoonheid van het Moderne Binnenhuis’ 1830s.
Ernest Race Set of five BA23 aluminium chairs. Circa 1945-64.
The BA23 was one of the first mass-produced, cast aluminium chairs in the world – Over 250,000 were manufactured. Wood was scarce in 1945 and the British Government encouraged manufacturers to use new materials that were more available – like aluminium – which was plentiful due to the decommissioning of weapons and aircraft. It was an immediate success, becoming the showpiece of the ‘Britain Can Make It’ exhibition of 1946.
The chairs are in original condition with definite signs of age and use.
A very rare piano stool by Dutch architect and interior designer Wim den Boon. This stool was designed as part of a complete interior in the late 50s. The only other one we know of was a white version owned by Den Boon for his own use (documented in the Den Boon archive at the NI in Rotterdam). Full provenance is available.
In 1945 Den Boon founded ‘Groep &’ together with Hein Stolle and Pierre Kleykam’. The group’s ambition was to continue the purist and functionalist prewar ideals and aesthetic into the postwar period, or ‘reconstruction period’ in The Netherlands. Many of the group’s designs can be seen in the Goed Wonen magazine of which Den Boon was the editorial secretary from 1948-1950 and for which he wrote several articles.
Early desk & stool. This desk and stool were made for a private residence in the Netherlands in the 1971. They were commissioned as part of a complete interior refurbishment by Bossche School architects Louis de Kok/Fons Vermeulen. The olive colour wash applied to the furniture was conceived by the artist Wim van Hooff whose colour schemes were utilised by many Bossche School designs during the mid century period. The desk is particularly rare being that it is one of a limited number of vd Laan’s designs that were applied to domestic rather than ecclesiastical environments. _Full provenance available
Wim Den Boon (1912-1968) founded ‘Groep & together with Hein Stolle and Pierre Kleykam’, in 1945. The group’s ambition was to continue the purist and functionalist prewar ideals and aesthetic into the postwar period or ‘reconstruction period’ in The Netherlands. Many of the group’s designs can be seen in the magazine ‘Goed Wonen’ of which Den Boon was the editorial secretary from 1948-1950 and for which he wrote several articles. Den Boon’s dogmatic character and the austere tone of his articles resulted in some controversy, which resulted in Wim Den Boon’s resignation from the magazine in 1950.
This armchair (dated 1958) is registered and documented in the New Dutch Institute for Architecture, Design and Digital Technology (NI). Like much of Den Boon’s designs, the chair was designed as part of a complete interior. The chair comes with full provenance.
A console table commissioned for the adaptation of a private residence in Rotterdam during the early 1960s. It has a thick gauge steel base with a 4cm solid teak sectioned top. Den Boon was part of ‘group &’ alongside Hein Stolle and Pierre Kleykamp, a group of Dutch interior /furniture designers influenced by the reductivist designs of Gerrit Rietveld. Some provenance available including original drawing designs.