Rare SE20 chair manufactured by ’t Spectrum Bergeyk 1980s. This late experimental Visser design from 1988 was only manufactured as a very limited production (20 or so?) making it a real collector or museum piece and prime example of Dutch postmodern design. It was manufactured in various colourways – this chair is a vibrant cobalt blue.
In superb hardly used condition.
See: Boijmans Museum collection / literature: ‘tSpectrum Moderne meubelvormgeving en naoorlogs idealisme. Uitgeverij 010, Rotterdam 2002.
A rare three position lounge chair and ottoman/footstool attributed to Francis Jourdain, 1920s.
This design stands out for its curved lines and the three-position system that allows the seat and backrest to be tilted. Nicely executed out of pear wood and woven cane seat and back.
It is easy to comprehend how subsequent Dutch design evolved into an even more simplified and pared-down version of such furniture as this. There are clear visual similarities to Rietveld or De Stijl.
Impressive pair of large Art Deco armchairs. Circa 1940s.
These stylish armchairs were fully refurbished around the 1990s – This includes a few new parts and a full re-upholstery in the highest quality soft terracotta leather. Very comfortable, they have soft down filled feather cushions and deep sprung bases.
Pine and lacquered birch wood. Stamped with makers markings.
One has an original De Bijenkorf Amsterdam price tag /label taped to the underside.
Rare pair of ‘Pirkka’ low lounge chairs. Designed in 1955 and unlike other models model was never put back into production. These two are in superb condition – all original. Rare chairs and real collectors pieces.
The French mid-century sculptor and ceramicist Pol Chambost had already discovered and mastered ceramics by his mid-20s. From the start his work was know for its biomorphic forms and bold colours. As a prolific maker Chambost established himself as an important maker in the context of the French midcentury art and design world. His work was largely forgotten until revived in the early 2000s. Since then his works have become increasingly sought after and reach very healthy sums at auction.
This jug/pitcher is typical of his work. The model number 835 is inscribed to the underside alongside his signature.
Originally designed by Bauhaus architect Walter Gropius in the 1930s as a newspaper storage cabinet, this version was manufactured in small numbers in Italy in the 1960s (maker unknown). Please note that this is a solid and well made item that is heavy (note: it can not be dismantled).
[merzbau] 