Oswald Vermaercke (attrib.) Desk

Oswald Vermaercke (attrib.)

A large double sided desk. One side of the desk has a sliding door below a low standing shelf and the other side of the desk has five pull out drawers.

This desk has been attributed to the Belgian designer Oswald Vermaercke in that it has clear similarities to Vermaercke’s ‘Oslo’ desk for V-Form from the same period. It is possibly a variation on the design or is an earlier prototype?

3400.00 euro

http://www.merzbaufurniture.com

Rare Piano Stool by Wim Den Boon

Wim den Boon (Dutch 1912-1968)

A very rare piano stool by Dutch architect and interior designer Wim den Boon. This stool was designed as part of a complete interior in the late 50s. The only other one we know of was a white version owned by Den Boon for his own use (documented in the Den Boon archive at the NI in Rotterdam). Full provenance is available.

In 1945 Den Boon founded ‘Groep &’ together with Hein Stolle and Pierre Kleykam’. The group’s ambition was to continue the purist and functionalist prewar ideals and aesthetic into the postwar period, or ‘reconstruction period’ in The Netherlands. Many of the group’s designs can be seen in the Goed Wonen magazine of which Den Boon was the editorial secretary from 1948-1950 and for which he wrote several articles.

PoA.

http://www.merzbaufurniture.com

Dom Hans van der Laan church altar/table. 1950s-60s

A large Bossche School altar table. Designed by the Dutch Benedictine monk/architect Dom Hans van der Laan. The metal and stone decorative elements across the side were believed to have been designed by the sculptor and silversmith Jan Noyons (1918-1982) who designed and manufactured many alter pieces throughout the Netherlands. The colour palette is believed to have been conceived by Wim van Hooff (1918-2002) who was a painter and colour consultant who developed his own colour theories in addition to making an important contribution to the architecture of the Bossche School.

This rare example of Van der Laan’s designs was part of a collection of furniture came from a post-war church in Amstelveen in The Netherlands.

PoA.

http://www.merzbaufurniture.com





H.Fillikes WL3 wall lamp 1950s for Artiforte.

H.Fillikes (Netherlands mid-c20th)

Very rare Artiforte WL3 wall lamp (the wall lamp version of Fillikes more well-known ‘Magneto lamp’). Like the Magneto lamp, very few were manufactured during a short period of production in the mid-1950s. Excellent condition for its age – all original.

1400.00 euro

http://www.merzbaufurniture.com

P1230392

P1230387

Jan van Grunsven (Dutch c20th)

This Scissor sofa was designed by architect Jan van Grunsven in 1959 and was produced by UMS/Pastoe in Utrecht. It has laminated layers of plywood and the original grey-brown wool upholstery and Dunlop foam. Van Grunsven worked as an architect in Gerrit Rietveld’s studio during the 1950s -1960s.

1350.00 euro

http://www.merzbau.co.uk

8 (2)

8-1

Aldo van Eyck (Netherlands, 1918-1999)

1/2 Wall mounted modernist benches.

Rexine over wooden structure with painted steel supports.

This is 1 of 2 Dutch commissioned 1950s wall mounted benches designed by architect Aldo Van Eyck. Some provenance available. The bench is thought to have been designed and made as a private commission in the 1950s for a doctors waiting room..

Aldo van Eyck was an award winning architect from the Netherlands and a member of CIAM. He was one of the most influential protagonists of the Structuralist architectural movement. Van Eyck lectured throughout Europe and northern America propounding the need to reject Functionalism and attacking the lack of originality in most post-war Modernism. Van Eyck’s position as co-editor of the Dutch magazine Forum helped publicise the “Team 10” call for a return to humanism within architectural design.

POA.

http://www.merzbaufurniture.com

P1230593

Bram van den Berg (Nl)

Stained pine wood chair.

A rare chair made after a commission from Bas van Pelt / The Hague. Circa 1953 for the youth hostel at Ockenberg-Kijckduin in The Netherlands.

This chair’s rudimentary but simple form and functional design typifies the spirit of the utilitarian design movement that surrounded the WWII period in Europe.

POA.

http://www.merzbaufurniture.com