
Dutch Hague School / Amsterdam School Art Deco bookcase.
190 x 33 x 134cm high.
Circa 1930s. Mahogany and coromandel woods. A large beautifully made bookcase with two adjustable shelves on each side. Minor signs of age and use.
Price: 2.200 euro
furniture, art & design

Dutch Hague School / Amsterdam School Art Deco bookcase.
190 x 33 x 134cm high.
Circa 1930s. Mahogany and coromandel woods. A large beautifully made bookcase with two adjustable shelves on each side. Minor signs of age and use.
Price: 2.200 euro

Eero Saarinen (Finland/USA 1910-1961)
Knoll International. 1960s.
A rare set of original vintage model ‘Tulip’ chairs (these are the early versions with fixed bases).
Eero Saarinen’s Iconic Tulip Armchairs were designed in 1955-56 as part of his Pedestal Collection for Knoll. Saarinen sought to solve the issue of “the slum of legs” in traditional furniture by creating a chair with a single pedestal base, giving it a clean, sculptural appearance. While he originally envisioned the chair being made entirely of one material, technological limitations led to the use of a fiberglass seat and an aluminum base, painted to appear as a unified piece. The design, resembling both a flower and a wineglass, became revolutionary for its organic shape and simplicity. Its futuristic aesthetic, often associated with the Space Age, made it a staple of mid-century modern design.
Very good condition – The bases have been restored and the fiberglass shells have been cleaned. They have new cushions in chartreuse yellow/green upholstery with zip covers which are anchored to the seats using Velcro pieces to the underside.
Price: 7.000 euro (set of 8 – Note: we can also sell in sets of even numbers)


Afra & Tobia Scarpa (Italy 1935- Now)
‘Soriana’ Lounge Chair & Ottoman. Cassina 1970s / early edition.
Early edition chair and ottoman. The chairs do have issues with the upholstery (fading/ one small hole and minor staining) and would benefit from being reupholstered. The ottoman is in better condition with absolute minimal signs of age and use.
Price: Chair 3.000 euro (one sold/one available) / Ottoman 1.900 euro


Circa 1930s-40s table / desk
99.5 x 62 x 74.5cm high / solid oak construction.
Dutch oak constructivist table. A simple designed small side table (or desk) that combines classical and geometric block components to form a bold design table with quite an architectural feel to it.
There are some old marks and patina from years of use, but overall it is in good solid condition.
Price: 895 euro

Sido and François Thévenin (France mid-c20th)
metal & buffalo leather side chair. Stamped. 1970s/80s.
An elegant sculptural side chair made by the famous French duo known for working across a range of specialisms including architecture, sculpture and furniture design. Like many imaginative artist/designers who came to the fore in the 1980s, their work combines elements of Postmodernism to create a narrative object : Gothic, baroque and brutalism combined in a theatrical narrative. This 1970s-80s art-chair would look fabulous in any stylish interior. It has the maker’s brandished marks to the back of the leather seat.
Born on the French Riviera in 1931, François Thévenin’s output oscillates between architecture, sculpture, design and poetry using his favourite material, metal. Trained at the Beaux-Arts in Paris in the 1950s, he met his future wife and partner Gisèle Sidoti, known as Sido (1934-86). In 1958, after his military service, François and Sido moved to the south, to Cannes-la-Bocca, where their house-workshop is still located.
Price: 3,200 euro

H. Pander & Zonen. (Netherlands 1855-1921)
Small circular modernist stool – completely original.
Dia.36 x 46cm high
Rare stool with original upholstery. It has its original makers label and is stamped ‘H.Pander & Zn’ to the underside alongside a model number.
Price: 760 euro



Jan Slothouber & William Graatsma (NL. Mid-c20th)
Five original modular cubes from the 1970s. Laminated plywood.
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The Dutch duo Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970) and in 1965 the Stedelijk Museum in Amsterdam honoured them with the exhibition ‘Vier kanten: maat, vorm, kleur, letter’ (Four sides: size, form, colour, letter). Donald Judd for one was a great admirer of their work.
Price: 3,900 euro



Root wood /free-form low chair. Circa 1970s.
86.5 x 73 x 41cm high
A unique solid wood low seat (unknown type of wood). Possibly carved from the root or the trunk of a tree.
It has a very attractive, untouched time worn patina. The seat would look good in any modern interior as it is, or with a cushion inside.
Price: 1.880 euro