Table: 130 x 78 x 74cm high Benches: 124 x 42 x 43cm high
Two long benches and table by renowned Swedish design Gilbert Marklund. The table is the rarer larger version of the design that can seat up to four people.
The desirable aspect of this set is that it is in unrestored condition with all its original patina. (The table has a few ring and burn marks to the top).
De Rotterdamse Meubelfabriek CH Eckhart (circa 1920s)
Dutch Hague School / Amsterdam School Art Deco bookcase.
190 x 33 x 134cm high.
Mahogany and coromandel woods. A large beautifully made bookcase with two adjustable shelves on each side. Minor signs of age and use. This bookcase came out of a private house with several pieces made by the same company.
‘Soriana’ Lounge Chair & Ottoman. Cassina 1970s / early edition.
Early edition chair and ottoman. The chair does have a few issues with the upholstery (fading/ one small hole and minor staining) and would benefit from being reupholstered. The ottoman is in better condition with absolute minimal signs of age and use.
Dutch oak constructivist table. A simple designed small side table (or desk) that combines classical and geometric block components to form a bold design table with quite an architectural feel to it.
There are some old marks and patina from years of use, but overall it is in good solid condition.
metal & buffalo leather side chair. Stamped. 1970s/80s.
An elegant sculptural side chair made by the famous French duo known for working across a range of specialisms including architecture, sculpture and furniture design. Like many imaginative artist/designers who came to the fore in the 1980s, their work combines elements of Postmodernism to create a narrative object : Gothic, baroque and brutalism combined in a theatrical narrative. This 1970s-80s art-chair would look fabulous in any stylish interior. It has the maker’s brandished marks to the back of the leather seat.
Jan Slothouber & William Graatsma (NL. Mid-c20th) Five original modular cubes from the 1970s. Laminated plywood. . The Dutch duo Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works. Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas). Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970) and in 1965 the Stedelijk Museum in Amsterdam honoured them with the exhibition ‘Vier kanten: maat, vorm, kleur, letter’ (Four sides: size, form, colour, letter). Donald Judd for one was a great admirer of their work.