Jan Slothouber & William Graatsma (NL. Mid-c20th) Five original modular cubes from the 1970s. Laminated plywood. . The Dutch duo Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works. Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas). Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970) and in 1965 the Stedelijk Museum in Amsterdam honoured them with the exhibition ‘Vier kanten: maat, vorm, kleur, letter’ (Four sides: size, form, colour, letter). Donald Judd for one was a great admirer of their work.
A large carved signed totemic form sculpture. The artist, Bertus Hylkema was born in Luinjeberd in France in 1927. He moved to Amsterdam and worked and taught there and later moved to Amersfoort. The artist died in 2004.
A very rare long teak sideboard with sliding doors designed by one of the best of Danish designers for one of the top Danish companies. The beauty with these sideboards is both the simplicity and modesty of design combined with the highest quality of finish visible especially in the details. It has easy sliding doors and a variety of shelves and drawers inside that can be easily adjusted to the required height.
Brutalist / Structuralist chair. Netherlands. Circa 1960s/70s.
Steel & leather/hide.
An interesting architectural chair. Its construction and manufacture lead us to believe that it is possibly a prototype? – Its design reflects the style of post-war structuralist architecture/interiors typical of several Rotterdam architects from the period. (we are still researching the design).
A rare first steel edition of the ‘Less’ table by Jean Nouvel (later editions were in aluminium and lighter). The table was originally designed for Foundation Cartier office in Paris.
The top has a distinctive sunken underside, not seen when viewed from above – the result is the illusion of a wafer thin top supported by four thin legs.
Original lacquered surface in anthracite metallic grey/silver colour. In good condition – some minor scratches. The legs can be unscrewed from the top.
Floor-neon lamp. Designed around 1977, the edition was for Starck Product or Electrorama circa 1980. Stamped ‘Starck Product’.
Makrolon, polyurethane and fluorescent tube H: 142 cm. (56 inches); D: 6,7cm.(2 3/8in.). The lamp has an inbuilt mercury tilt switch (the lamp lights up when its position is slightly altered)
This lamp was most likely purchased in the Netherlands at De Bijenkorf, circa 1980. Bibliography: J.-F. Grunfeld, M.-L. Jousset, Lumières Je Pense à Vous, exhibition catalog, Centre Georges Pompidou, Paris, June 3-August 5, 1985, p. 158, n. 282 C. Colin, Starck, Ed Pierre Mardaga, Liège, 1988, p. 274, 278, 296