A side chair variation of the famous Fledermaus chair designed by Josef Hoffmann in 1906 for the Fledermaus Cabaret. This is a period chair by an unknown manufacturer. The chair has a good quality later upholstery of a Wiener Werkstätte design.
126 x 64 x 75.5cm high. Maple/birch and lacquered wood
A small a Dutch 30s art deco/modernist curved desk. Warm maple veneer with off-white lacquered wood. This double-sided/freestanding desk was part of the interior of the jewellery shop S.Spyer located at the Koningsplein in Amsterdam. In 1929-1930 the shop was redesigned by Amsterdam architect Harry Elte, giving the shop a more modern Art Deco shopfront and interior. The furniture was executed by the Gebroeders Reens company. (original key monogrammed ‘R’).
This sculptural chair was manufactured for a short period during which time it is believed that around only 100 of the chairs were manufactured. This one was purchased from the first owner and is in superb original condition with only minimal signs of age and use. . Tubular steel and thick leather 72x90x68cm
Rare SE20 chair manufactured by ’t Spectrum Bergeyk 1980s. This late experimental Visser design from 1988 was only manufactured as a very limited production (20 or so?) making it a real collector or museum piece and prime example of Dutch postmodern design. It was manufactured in various colourways – this chair is a vibrant cobalt blue.
In superb hardly used condition.
See: Boijmans Museum collection / literature: ‘tSpectrum Moderne meubelvormgeving en naoorlogs idealisme. Uitgeverij 010, Rotterdam 2002.
chromed steel tube with leather slung seat. 48.5 wide x 67 deep x 73cm high.
Wim van den Bergh is an architect, writer, and professor of Housing and Design at RWTH Aachen.
An 80s homage to early modernism this is a highly elegant and rare chair: Only 30 examples of this chair were ever produced (by hand) of which the first prototype was commissioned by Museum Boijmans van Beuningen in Rotterdam in 1981.
metal & buffalo leather side chair. Stamped. 1970s/80s.
An elegant sculptural side chair made by the famous French duo known for working across a range of specialisms including architecture, sculpture and furniture design. Like many imaginative artist/designers who came to the fore in the 1980s, their work combines elements of Postmodernism to create a narrative object : Gothic, baroque and brutalism combined in a theatrical narrative. This 1970s-80s art-chair would look fabulous in any stylish interior. It has the maker’s brandished marks to the back of the leather seat.
Born on the French Riviera in 1931, François Thévenin’s output oscillates between architecture, sculpture, design and poetry using his favourite material, metal. Trained at the Beaux-Arts in Paris in the 1950s, he met his future wife and partner Gisèle Sidoti, known as Sido (1934-86). In 1958, after his military service, François and Sido moved to the south, to Cannes-la-Bocca, where their house-workshop is still located.
The model 020 ‘Stick’ chair was designed by Dutch industrial designer Bruno Ninaber van Eyben in 1977.
The design is made up of three constituent parts that fit together: two pieces of angled plywood and a length of stick with a round profile. The stick in the middle connects the plywood pieces and functions as the backbone and strength of the chair.
These rare chairs were manufactured in very limited numbers due to the production costs and difficulties. Only 150 of these chairs were produced. Apart from its low production numbers the other reason that so few exist is because they can easily get damaged – Due to the stool’s fragility we recommend that it should be purchased by a design lover that appreciates its sculptural qualities rather than its functionality!