Tag: rare

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Gebroeders Reens desk

Gebroeders Reens (Nl early-mid-c20th)

Amsterdam desk 1930s

126 x 64 x 75.5cm high. Maple/birch and lacquered wood

A small a Dutch 30s art deco/modernist curved desk. Warm maple veneer with off-white lacquered wood.
This double-sided/freestanding desk was part of the interior of the jewellery shop S.Spyer located at the Koningsplein in Amsterdam. In 1929-1930 the shop was redesigned by Amsterdam architect Harry Elte, giving the shop a more modern Art Deco shopfront and interior. The furniture was executed by the Gebroeders Reens company. (original key monogrammed ‘R’).

Price: 2.700 euro

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model 3 desk lamp

Sybold van Ravesteyn (Nl 1889-1983)

Model 3 desk lamp. Metal & lacquered wood.

_Originally designed in the 1926, a few limited productions of the design were manufactured in the 1970s. This particular lamp is a very rare 1970s production that was the most faithful to the original series of only 8 lamps that were made. This version has wooden black and white sections (like the original). It has a screwed in metal plate around the two switches (like the original) and a cleaner top edge (without a plastic protector shield that some versions have)

(please note that this is not a DS 23 Huszár lamp)
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12 x 10.5 x 26.5cm /without bulb

Lit: Sybold van Ravesteyn architect; Kees Rouw, Nai010 uitgevers/publishers, 2014 pp.59

Price: 2.800 euro

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Aldo van den Nieuwelaar (Nl. 1944-2010)

Globe Floor lamp. Domani, 1970s.

35 x 35 x 130cm high

A rare floorlamp from the ‘Globe’ series, designed by Dutch architect and designer Aldo van den Nieuwelaar.
Lamps designed by Aldo van den Nieuwelaar such as this one were all produced in small quantities. It has an elegant minimalist one section curved white metal stem with large glass sphere that nests comfortably onto it.

Price: 1.350 euro

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Abstract sculpture

1970s Brutalist abstract sculpture. Unsigned.

A large basalt stone sculpture composed of simple modernist/architectural forms. At some time this sculpture has stood in a garden which has resulted in a thin layer of moss on some parts.

It measures 36 x 12 x 45cm high.

Price: 1.500 euro

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monotube chair

Wim van den Bergh (Nl.c20th)

chromed steel tube with leather slung seat. 48.5 wide x 67 deep x 73cm high.

Wim van den Bergh is an architect, writer, and professor of Housing and Design at RWTH Aachen.

An 80s homage to early modernism this is a highly elegant and rare chair: Only 30 examples of this chair were ever produced (by hand) of which the first prototype was commissioned by Museum Boijmans van Beuningen in Rotterdam in 1981.

Price: 4.500 euro

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Butterfly stool

Sori Yanagi (Jap.1915-2011)

Rosewood veneer/plywood with brass fittings

Classic ‘Butterfly’ stool. Manufactured by Tendo Mokko, circa 1970s.

It has production numbers stamped into the underside and the measurements conform to the slightly smaller Japanese scale.

42 x 30.5 x 39cm high.

Price: 1.800 euro

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Magazine table

Mathieu Matégot (France 1910-2001)

Model Elysée side table,

Artimeta. 1950s.

63 x 38.5 x 56cm high

A rare side table / magazine table manufactured in the 1950s. Perforated metal with brass ball feet.

Literature: Philippe Jousse, Mathieu Matégot, Jousse Enterprise, 2003, modèle reproduit pp.164, 190, 191 & 227

Price: 2.500 euro

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Jan Slothouber & William Graatsma (NL. Mid-c20th)
Five original modular cubes from the 1970s. Laminated plywood.
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The Dutch duo Slothouber & Graatsma established themselves from the 1950s as artist/designers with the cube form as their key motif around which they developed various principles of cubic construction alongside multiples and variations thereof. Despite its restrictions they admired the cube for its clarity of form. They applied their thinking around it to a variety of objects, and artworks from small jewellery-scale 3d models and games to larger installation works.
Highly driven personalities, they considered themselves as discoverers of ‘the many applications of the democratic system of cubics’; a system that would ostensively act to counter the rise of the expressive individualism in post-WWII culture. (They later established the CCC_the Center for Cubic Constructions as a forum for promoting their ideas).
Due to their diverse and multidisciplinary output they were never to become global names – But they were a highly respected creative team (representing The Netherlands at the Venice Biennale in 1970) and in 1965 the Stedelijk Museum in Amsterdam honoured them with the exhibition ‘Vier kanten: maat, vorm, kleur, letter’ (Four sides: size, form, colour, letter). Donald Judd for one was a great admirer of their work.

Price: 3,900 euro

http://www.merzbaufurniture.com